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I'd like to see this, that's how I approach everything, and then keep pushing it from there. Rick Carter served as production designer  while the visual effects of the film were done by Animal Logic with 75 visual effects specialists, and the Moving Picture Company MPC who were awarded over shots.
The final level is made up of a dream world where more action sequences that are removed from time and space take place.
Snyder filmed a "Maximum Movie Mode" interactive Blu-ray commentary for the film's home media release. Snyder wanted to design the film as something with no limits, considering that he co-wrote the script from an original idea.
He added that he wanted it to "be a cool story and not just like a video game where you're just loose and going nuts.
The title Sucker Punch is not explained in the film. Snyder has said that there are two meanings: . There's a mechanism in the movie that sneaks up on you.
We sort of plant the seed of this thing, and then at the end of the movie it kind of comes back around. I think that in some ways, that's what the sucker punch is.
But also you, the audience, have like a preconceived idea when you look at Babydoll. You think she's innocent and sweet, that she's capable of only a certain amount of things.
But I think that's a mistake. So that has something to do with the title, too. Andrew O'Hehir, writing in Salon , sees the film's title as its essential theme: .
If you want to understand Snyder's central narrative gambit, it's right there in the title. He gives us what we want or what we think we want, or what he thinks we think we want : Absurdly fetishized women in teeny little skirts, gloriously repetitious fight sequences loaded with plot coupons, pseudo-feminist fantasies of escape and revenge.
Then he yanks it all back and stabs us through the eyeball. Snyder has stated one interpretation of the film is that it is a critique of geek culture 's sexism and objectification of women.
Marius de Vries . Music plays an integral role in the film. They used actual songs for Sucker Punch that would create suitable moods.
It plays an important factor in the film and is used as it was in Moulin Rouge! He did mention that for the home media release of the film's "director's cut", the dance scenes will be re-inserted.
In September , Chung reported that they had begun recording tracks for Sucker Punch. Tyler Bates who composed all of Snyder's previous live-action films and Marius de Vries who composed the score for the film Moulin Rouge!
It contained nine tracks, all covers, remixes, and mash-ups as the label website says, "wildly re-imagined versions of classic songs" of tracks by Alison Mosshart , Björk , Queen , and performances from stars Emily Browning, Carla Gugino, and Oscar Isaac.
The album was praised by music and film critics, as were Browning's vocals. The trailer was released on July 27 on Apple Trailers.
The film received a PG rating. To avoid an R rating, a scene that implied sex was cut. I think it's great for this young girl to actually take control of her own sexuality.
Zack said he edited it down to the point where it looked like he was taking advantage of her. That's the only way he could get a PG [rating] and he said, 'I don't want to send that message.
In the United Kingdom, the film received a 12A certificate for "moderate violence, threat, language and sexual references". The film was passed with no additional cuts required.
Sucker Punch was negatively reviewed by most film critics. Although Snyder had claimed that he wanted the film to "be a cool story and not just like a video game where you're just loose and going nuts",  some critics compared the film unfavorably to a video game in their reviews.
Club ' s Nathan Rabin wrote, "with its quests to retrieve magical totems, clearly demarcated levels, and non-stop action, Snyder's clattering concoction sometimes feels less like a movie than an extended, elaborate trailer for its redundant videogame adaptation.
British film critic Mark Kermode described the film as "the most boring, ploddingly put together, infantile, crass, adolescent, stupid, chauvinistic twaddle that I've sat through in a very, very long time.
Legendary Pictures reportedly attributed the movie's failure to become a box office hit to movie audiences not accepting a female action hero.
Not all reviews were negative, however. Keith Uhlich of Time Out New York named Sucker Punch the tenth-best title of "This excessive digi-satire spits in the face of fanboys-'n'-their-franchises.
Sucker Punch also drew criticism for its depiction of women. Several critics described the film as misogynistic and others expressed concern over its treatment of sexual violence.
Though they are given vicious snarls, swords and guns, the leading ladies of Snyder's latest are nothing more than cinematic figures of enslavement given only the most minimal fight.
Their rebellion is one of imaginative whimsy in a heavily misogynistic world that is barely questioned or truly challenged.
Petersburg Times critic Steve Persall found that the most offensive fact about the film was that it "suggests that all this objectification of women makes them stronger.
It's supposed to be reassuring that men who beat, berate, molest and kill these women will get what's coming to them.
Just wait, Snyder says, but in the meantime here's another femininity insult to keep you occupied. Scott of The New York Times described the film as a "fantasia of misogyny" that pretends to be a " feminist fable of empowerment" and found that the film's treatment of sexual violence was problematic and believes the target audience as a whole is in favour of it.
Writing in a separate piece for The A. Club months after giving the film a "C-" grade, Nathan Rabin concluded, "Depending on whom you ask, Snyder set out to make either the ultimate sexist masturbatory fanboy fantasy or the ultimate critique of sexist masturbatory fanboy fantasies.
He failed spectacularly on both counts, but in true Fiasco form, there's something fascinating and even strangely majestic about that failure.
Scott Mendelsohn of The Huffington Post called the film a "bitterly sad and angrily feminist mini-epic", and said that while it presents scenes of "matter-of-fact lechery from men towards women that is an accepted norm in our society, both then and now", it "earns kudos for daring to actually be about something relevant and interesting.
It is actually very much about the sexualization of women in popular culture, rather than just using those tools to make pointless exploitation fare.
Bromley further judged that the film is "about fighting a losing battle. About using every tool at your disposal, be it sexuality or physical strength or wit or the ability to band together to fight a common enemy—the tool of Sisterhood—and about how that still isn't enough.
I always said that it was a commentary on sexism and geek culture. Though the film's content was derided, the film received some recognition for the visual effects of the fantasy sequences.
The film reached 1 best-selling DVD for four weeks in a row, selling over a million copies in America on its premiere day.
An R-rated  extended cut was included on the Blu-ray release, which adds 18 minutes to the film. From Wikipedia, the free encyclopedia.
Sucker Punch Theatrical release poster. Deborah Snyder Zack Snyder. Zack Snyder Steve Shibuya. Tyler Bates Marius de Vries.
Legendary Pictures Cruel and Unusual Films. United States Canada  . A while ago I had written a script for myself and there was a sequence in it that made me think, 'How can I make a film that can have action sequences in it that aren't limited by the physical realities that normal people are limited by, but still have the story make sense so it's not, and I don't mean to be mean, like a bullshit thing like Ultraviolet or something like that.
Main article: Sucker Punch soundtrack. The exploration of how these songs could be used to tell the story and comment on the action has been one of the more unusual and satisfactory parts of this process.
British Board of Film Classification. March 10, Retrieved February 14, Retrieved March 12, The Numbers website. Entertainment Weekly.
Archived from the original on April 5, Retrieved May 3, Beyond Hollywood. Retrieved May 4, Retrieved May 13, Retrieved May 27, Warner Brothers.
Archived from the original PDF on February 14, March 27, Retrieved March 25, Archived from the original on October 8, Retrieved May 5, Crazy Credits.
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